WereWolves-Werewolf in Literature

Werewolf in Literature


 A vivid description of King Lycaon’s metamorphosis was given in later centuries by Ovid, the Roman poet. With this tale, the werewolf entered popular literature that provided plenty of eerie accounts. It held the attention of medieval literature for almost three centuries. Certain peoples of Poland and Lithuania were widely regarded as sorcerers who turned themselves temporarily into wolves

 once a year. Similar ritualistic transformation seems to echo in the tales of Livonia describing ceremonies

occurring during the Christmas seasons: Christmas, because of its association with the winter solstice, was traditionally a period of magical activity of all kinds. Ireland was a similar repository of werewolf lore; perhaps because wolves thrived there long after they were hunted to extinction in England. At one time the Emerlad Isle was even known as wolf-land and Saint Patrick himself was believed to have transformed Vereticus, the king of Wales, into a wolf.
Romanticized stories involving werewolves persisted for years in Europe
. England’s Gervase of Tilbury, a scholastic writing between 1210 and 1214, noted that “in England we often see men changed into wolves at the change of the moon.” Gervase’s Otia Imperialia, a collection of medieval legends and superstitions, includes the tale of Raimbaud of Auvergne, a former soldier turned outlaw, who turned himself into a werewolf and began a series of attack on children and adults alike until a carpenter chopped off his hand. A similarly curious twelfth century werewolf tale came from Ireland. In his Topographis Hibeniae the ecclesiastic Gerald of Wales related the tale of a priest and a boy who met with a werewolf couple on their journey to Meath. Medieval writers of romance started to construct airy fictions. Werewolves were figured as wicked-step mother and lost-heir of a throne. The Lay of the Werewolf was such a story describing the cruel infidelity of a woman.

copy rights by Sk. Nur-Ul-Alam 

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